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Syllabus - Learning units

 

LEARNING UNIT 1 LEARNING UNIT 6
LEARNING UNIT 2 LEARNING UNIT 7
LEARNING UNIT 3 LEARNING UNIT 8
LEARNING UNIT 4 LEARNING UNIT 9
LEARNING UNIT 5 LEARNING UNIT 10

 

LEARNING UNIT 1. -INTRODUCTION: What is Petrarchism?

Seminar # 1 January 8

Learning objectives

This unit will present a general introduction to the notion of Petrarchism. At the end of this unit students should be able to: a) Discuss some of the current definitions of Petrarchism; b) Identify its major features; c) Appreciate the difference between Petrarch’s and Petrarchist’s poems. We will address the following topics and questions:

1. What is Petrarchisms? What are its origins and major features?
2. Why some critics define Petrarchism as "literary disease"?
2. Why some critics identify Petrarchism with a kind of poetry lacking sincerity?
3. What is the difference between a normative and a non-normative definition of Petrarchism?
4. What do critics mean by “Petrarchan system”?
5. Is there any difference between Petrarch’s poetry and the poetry written by the Petrarchists?

Lecture

This will be a Power Point presentation in the classroom to provide a general introduction to Petrarchism. The instructor will give a general overview of the course and in specific of the reading material for the first learning unit. He will introduce the questions at the core of the unit without providing exhaustive answers. Students will answer these questions in the wiki after reading the course material. See instructions below.

Assignments:

Readings:

- Petrarch, Canzoniere, 1. This is the opening poem of Petrarch collection.
- Matteo Maria Boiardo, Amorum Libri, 1. This is the opening poem of the collection of one of the most important Petrarchists of the Quattrocento: Boiardo.

- Berdan, J.M., "A definition of Petrarchismo," in Publications of the Modern Language Association of America 24 (1909): 699-710. This article defines Petrarchism as lack of sincerity.

- Forster, L.W., "European Petrarchism as Training in Poetic Diction," Italian Studies 18 (1963): 19-32. Re-printed in Id. The icy Fire - Five Studies in European Petrarchism, Cambridge, 1969. This article explores the idea of a “Petrarchan system.”

-Wilkins, E.H., "A General Survey of Renaissance Petrarchism," Comparative Literature, 2 (1950): 327-342. This article provides a broad non normative definition of Petrarchism.

Project:

Explore some of the feauture of the Petrarch Project. Log into the Petrarch Project and read the poems of Petrarch and Boiardo included in the syllabus for this week.

Electronic forum:

The forum for week one is articulated in four parts, the first is focused on Petrarch opening poem and should be concluded by Tuesday at noon, the second on a poem by Boiardo and should be concluded by Thursday at noon. Part one and two are based on a group diachronic discussion in the Forum section of the Blackboard. Each member of the group will contribute to the discussion with one personal entry of at least 200 words and one answer to someone’ else post of at least 50 words for each part.

Finally the third part of the forum is based on the summary of the discussion on the two poems and on the other reading material for this week. One member of the group should write the summary of the group discussion in the Wiki associated to the class. The summary should be about 250 words and posted in the wiki by Friday at noon. Part four: each member of the group has to add a paragraph of about 200 words to the summary written by the group leader. These individual posts to be added to the summary should further discuss the summary of the group discussion the the light of the reading material for this week. These individual posts in the Wiki should be completed by Sunday at midnight.

PART ONE PART TWO PART THREE PART FOUR
Discuss Petrarch's poem by Tuesday at noon Discuss Boiardo's poem by Thursday at noon Write a Summary of the Electronic forum by Friday at noon Add a paragraph to the summary by Sunday at midnight

 

Students engagement inventory and rubric

 

EXPECTED STUDENT ENGAGEMENT
EDUCATIONAL ACTIVITY HOURS STUDENTS ENGAGED
Attendance 3 (Actual presence in the classroom)
Assigned readings 4
On line interaction 5
Total hours 12
<p align="center"> </p> <p align="center">  </p> <div align="center"></div> <table width="603" height="478" border="1" align="center" cellpadding="2" cellspacing="2"> <tr> <td width="591" height="42" valign="top"> <h4 align="center">ELECTRONIC FORUM AND WIKI RUBRIC</h4> </td> </tr> <tr> <td height="428" valign="top"> <table width="591" border="2" align="center" cellpadding="2" cellspacing="2"> <tr> <td bgcolor="#666699"> <div align=center><strong><font color="#FFFFFF">Quality </font></strong></div></td> <td bgcolor="#666699"> <div align=center><strong><font color="#FFFFFF">Relevance</font></strong></div></td> <td bgcolor="#666699"> <div align=center><strong><font color="#FFFFFF">Contribution</font></strong></div></td> <td bgcolor="#666699"> <div align=center><strong><font color="#FFFFFF">Global Picture</font></strong></div></td> </tr> <tr> <td height=106 valign="top"> <p><font color="#000000">Appropriate comments: thoughtful, reflective, and respectful of other student's postings.</font></p></td> <td height=106 valign="top"> <p><font color="#000000">Clear reference to assignment or prior posting being discussed </font></p></td> <td height=106 valign="top"> <p><font color="#000000">Furthers the discussion with questions, or statements that encourage others to respond. Participates beyond the required number of postings.</font></p></td> <td height=106 valign="top"> <p><font color="#000000">Clearly connects the posting to text or reference points from previous readings, activities, and discussions. </font></p></td> </tr> <tr> <td>7,5</td> <td>7,5</td> <td>7,5</td> <td>7,5</td> </tr> <tr> <td valign="top">Appropriate comments and responds respectfully to other student's postings, </td> <td valign="top">Some reference but taken out of context, the reader would not understand.</td> <td valign="top">Participates, but does not post anything that encourages others to respond to the posting. Participates with the required number of postings.</td> <td valign="top">Vague or possible connection to reference points from previous readings, activities, and discussions. </td> </tr> <tr> <td>6,2</td> <td>6,2</td> <td>6,2</td> <td>6,2</td> </tr> <tr> <td valign="top">Responds, but with minimum effort. (i.e. "I agree with Bob")</td> <td valign="top">Posting is attached to the right discussion board, but does not clearly reflect the assignment.</td> <td valign="top">Less than required number of postings. Does not further any discussions</td> <td valign="top">Mentions the text or previous activity without logical link to topic.</td> </tr> <tr> <td height=24>4,0</td> <td height=24>4,0</td> <td height=24>4,0</td> <td height=24>4,0</td> </tr> </table> <p align="center" class="style4"><u>HERE IS THE REST OF THE SYLLABUS THAT I PLAN TO ADAPT TO THE MODEL FOLLOWED FOR LEARNING UNIT ONE.</u></p> <p align="center"><strong><u>THIS PART OF THE SYLLABUS IS STILL IN PROGRESS</u></strong></p> <p align="left"><strong>2. January 15, 2009 Petrarchism in Music?</strong><br />  <br /> This seminar will introduce the importance of Petrarchism for the beginning of Italian Madrigal.<br />  <br /> <u>Assignments</u>:<br />  <br /> -Requested Readings:<br />  <br /> * Dean T. Mace, "Pietro Bembo and the literary origins of Italian Madrigal," in Musical Quarterly, 55 (1969): 65-86).<br /> * Iain Fenlon&James Haar, The Italian madrigal in the early sixteenth century. Sources and interpretation. Cambridge-New York-New Rochelle-Melbourne-Sydney: Cambridge UP, 1988: 3-14.<br /> *  <br /> -Requested listening:<br />  <br /> *  Madrigali a quattro voci. Libro primo [sound recording] / Luca Marenzio  Marenzio, Luca, 1553-1599  RSRV DOUG -- COMPACT DISC CX3393 -- LIB USE ONLY  <br />  Quatro libro dei madrigali [sound recording] / Claudio Monteverdi  Monteverdi, Claudio, 1567-1643  RSRV DOUG -- COMPACT DISC CX2167 -- LIB USE ONLY  <br />  Il terzo libro di madrigali [sound recording] / Sigismondo d'India RSRV DOUG -- COMPACT DISC CX4899 -- LIB USE ONLY .These CDs are on-reserve in the Douglass Room (Knight Library)<br />  <br /> - Electronic Forum: A successful discussion of the material of week #2 should demonstrate:<br />  <br /> 1) A knowledge of the major definitions and theories of Italian Madrigal in early sixteenth century.<br /> 2) A knowledge of the importance of Petrarch in the development of Italian Madrigal.<br />  </p> <p align="left"><br /> -Rhetorical analysis, summaries and key words of 2 poems: one poem from Petrarch and one from its musical rendering. This is an individual activity. Using the Petrarch site and/or other sources to be discussed with the instructor each student will do a summary of the 2 poems and identify the key words and rhetorical figures in each of them. This exercise is based on the format that will be included in the Petrarch site and should take about 2 hours for each poem. It should be posted in the Petrarch site by Sunday at midnight.<br />  <br /> -<br /> <strong>3. January 22, 2009 Un nuevo modo de escribir diverso: Petrarchism in Spain</strong><br />  <br /> This seminar will briefly introduce the circumstances under which Petrarchan poetry is introduced into Spain. The principal focus will be on Juan Boscan's modification of Petrarch's neoplatonism into the discourse of moderate love which suits his neo-stoic ideas about what the perfect imperial courtier will look like. Finally, we will briefly address the innovations that Gutierre de Cetina effects in his own uses of Petrarchan tropes.<br />  <br /> <u>Assignments</u>:<br />  <br /> Requested Readings:<br />  <br /> *Petrarch, Canzoniere, 1-5; 364-66; 267.<br /> *Ignacio Navarrete. "Poetic Theory in the Reign of Charles V" in Id. Orphans of Petrarch: poetry and theory in the Spanish Renaissance. Berkeley: University of California Press, 1994: pp.38-72.<br />  <br /> - Electronic Forum: A successful discussion of the material of week #2 should demonstrate:<br />  <br /> 1) A knowledge of the major features of Spanish Petrarchism in early sixteenth century.<br /> 2) A knowledge of the importance of Petrarch in the development of Spanish poetry during the Renaissance.<br />  <br /> <br /> -Rhetorical analysis, summaries and key words of 2 poems: one poem from Petrarch and one from a Spanish Petrarchist. This is an individual activity. Using the Petrarch site and/or other sources to be discussed with the instructor each student will do a summary of the 2 poems and identify the key words and rhetorical figures in each of them. This exercise is based on the format that will be included in the Petrarch site and should take about 1 hour for each poem. It should be posted in the Petrarch site by Sunday at midnight.<br />  <br />  <br /> <br /> <strong>4. January 29, 2009 Italian Women Petrarchists</strong><br />  <br /> Petrarch's representation of his beloved in the Canzoniere was dictated in part by strong poetic conventions such as the blason  and in part by his poetics of distance and his focus on the Laura's effects on himself. Today's seminar will address two related topics. First, we will use Gaspara Stampa's Canzoniere to consider ways in which female Petrarchan poets adapted his stance on the beloved, to accommodate to some degree the different lived reality of women poets. Second, Nancy Vickers' article will help us focus on how feminist criticism has made visible and problematized some Petrarchan representational strategies, and their ramifications -- strategies which his influence had made to seem natural and automatic.</p> <p align="left"><u>Assignments</u>:<br />  <br /> Requested Readings:<br />  <br /> * Francis Petrarch, Canzoniere, 23, 30, 52, 90, 96, 123, 126, 127, 226, 227,267, 308.<br /> * Gaspara Stampa, Selected Poems, 1, 8, 26, 47, 64, 91, 133, 155, 311<br /> * Nancy J. Vickers, "Diana Described: Scattered Woman and Scattered Rhyme,: in Elizabeth Abel, ed. Writing and Sexual Difference. Chicago: U of Chicago Pr, 1982. 94-109.<br />  <br />  <br /> - Electronic Forum: A successful discussion of the material of week #2 should demonstrate:<br />  <br /> 1) A knowledge of the major features of Italian Women Petrarchism in early sixteenth century.<br /> 2) A knowledge of the major differences between Petrarch poetry its adaptations by Italian female writers during the Renassance.<br />  <br /> -Rhetorical analysis, summaries and key words of 2 poems: one poem from Petrarch and one from a woman Petrarchist. This is an individual activity. Using the Petrarch site and/or other sources to be discussed with the instructor each student will do a summary of the 2 poems and identify the key words and rhetorical figures in each of them. This exercise is based on the format that will be included in the Petrarch site and should take about 1 hour for each poem. It should be posted in the Petrarch site by Sunday at midnight.<br />  <br />  <br /> -<strong><br /> 5. February 5, 2009 Petrarch, Chaucer, and English Petrarchism</strong><br />  </p> <p align="left"><u>Assignments</u>:<br /> Requested Readings:<br />  <br /> * Petrarch, Canzoniere, 132; Seniles 17.3<br /> * Boccaccio, Decamerone 10.10.<br /> * Chaucer, Canterbury Tales, Fragment IV, The Clerk's Tale; Translation of Canzoniere 132 in Troilus and Criseyde.<br />  <br /> http://petrarch.petersadlon.com/his_writings.html<br />  <br /> http://www.brown.edu/Departments/Italian_Studies/dweb/dweb.shtml<br />  <br /> http://www.librarius.com/cantales.htm<br />  <br />  <br /> * Sir Philip Sidney (1554-1586), "An Apology for Poetry," in Hazard Adams (Ed.), Critical Theory since Plato. New York-Chicago-San Francisco-Atlanta: Harcourt Brace Jovanovich, Inc.: 1971: 155-177.<br /> * Selected poetry by Petrarch, Sidney and Shakespeare.<br />  <br /> - Electronic Forum: A successful discussion of the material of week #5 should demonstrate:<br />  <br /> 1) A knowledge of the major features of English Petrarchism in early modernity.<br /> 2) A knowledge of the importance of Petrarch in the development of English poetry during the Renaissance.<br />  <br /> -Rhetorical analysis, summaries and key words of 2 poems: one poem from Petrarch and one from an English Petrarchist. This is an individual activity. Using the Petrarch site and/or other sources to be discussed with the instructor each student will do a summary of the 2 poems and identify the key words and rhetorical figures in each of them. This exercise is based on the format that will be included in the Petrarch site and should take about 1 hour for each poem. It should be posted in the Petrarch site by Sunday at midnight.<br />  <br />  <br /> <strong>6. February 12, 2009: Lyric Nationalism:  Petrarch and the Cultural Politics of the French Renaissance.</strong><br />  <br /> <u>Assignments</u>:</p> <p align="left">Requested Readings:<br />  <br />  <br /> Petrarch, Canzoniere, 1 and 129.<br /> …………</p> <p align="left">““““““““<br />  <br /> Suggested Reading for graduate students:<br />  <br /> Dynamique d'une expansion culturelle : Pétrarque en Europe, XIVe-XXe siècle : actes du XXVIe congrès international du CEFI, Turin et Chambéry, 11-15 décembre 1995 : à la mémoire de Franco Simone / études réunies et publiées par Pierre Blanc. Paris: Honoré Champion Editeur, 2001.<br />  <br /> Kennedy, William J., The site of Petrarchism : Early Modern National Sentiment in Italy, France, and England. Baltimore: Johns Hopkins University Press, 2003.<br />  <br /> - Electronic Forum: A successful discussion of the material of week #7 should demonstrate:<br />  <br /> 1) A knowledge of the major features of French Petrarchism in early modernity.<br /> 2) A knowledge of the importance of Petrarch in the development of French poetry during the Renaissance.<br />  </p> <p align="left">-Rhetorical analysis, summaries and key words of 2 poems: one poem from Petrarch and one from an French Petrarchist. This is an individual activity. Using the Petrarch site and/or other sources to be discussed with the instructor each student will do a summary of the 2 poems and identify the key words and rhetorical figures in each of them. This exercise is based on the format that will be included in the Petrarch site and should take about 1 hour for each poem. It should be posted in the Petrarch site by Sunday at midnight.</p> <p align="left"><br /> <strong>7. February 19, 2009: Petrarch and the Obligations of Rulership</strong><br />  <u>Assignments</u>:<br /> Requested Readings:<br />  <br /> * Petrarch, "How a Ruler Ought to Govern His State" (Rerum Senilium liber XIV).<br />  <br /> Suggested Reading for graduate students:<br />  <br /> * John Najemy, "Political Ideas" in Guido Ruggiero (Ed.), A companion to the worlds of the Renaissance. Malden, MA : Blackwell Publishers, 2002: 384-402.</p> <p align="left">Electronic forum</p> <p align="left">-Paraphrases of the two poems analyzed in week #2: this is an individual activity. The paraphrases should be a complete rewriting of the 2 poems using words different from the original texts, to express their meaning with greater clarity and to identify differences and similarities. The paraphrase will allow to comprehend possible significant differences between the original and the translation and/or rewriting. This exercise is based on the format included in the Petrarch site and take about 1 hours for each poem. It should be posted in the Petrarch site by the end of the weeks in which it is required (Sunday at midnight).<br />  <br /> <br /> <strong>8. February 26, 2009 Petrarchism in  the Hispanic World</strong><br />  <u>Assignments</u>:<br /> Requested readings:<br /> Quevedo's "Retirado en la paz de estos desiertos;" Bernardo de Balbuena's "Mientras que por la limpia y tersa frente;"Bernardo Tasso's "Mentre che l'aureo crin v'ondeggia intorno."<br />   <br />  <br /> Suggested Reading for graduate students:<br />  <br /> Dynamique d'une expansion culturelle : Pétrarque en Europe, XIVe-XXe siècle : actes du XXVIe congrès international du CEFI, Turin et Chambéry, 11-15 décembre 1995 : à la mémoire de Franco Simone / études réunies et publiées par Pierre Blanc. Paris: Honoré Champion Editeur, 2001.<br />  <br /> Kennedy, William J., The site of Petrarchism : Early Modern National Sentiment in Italy, France, and England. Baltimore: Johns Hopkins University Press, 2003.<br />  <br />  <br /> - Electronic Forum: A successful discussion of the material of week #5 should demonstrate:<br />  <br /> 1) A knowledge of the major features of Petrarchism Latin America in early modernity.<br /> 2) A knowledge of the importance of Petrarch in the development of Latin American poetry during the Colonial period.</p> <p align="left">-Paraphrases of the two poems analyzed in week #3 this is an individual activity. The paraphrase should be a complete rewriting of the 2 poems using words different from the original texts, to express their meaning with greater clarity and to identify differences and similarities. This exercise is based on the format included in the Petrarch site and take about 2 hours for each poem. It should be posted in the Petrarch site by Sunday at midnight.The paraphrase will allow to comprehend possible significant differences between the original and the translation and/or rewriting. <br />  <br />  <br /> <strong>9. March 5, 2009</strong><br />  <br /> Translating Petrarch<br /> in progress</p> <p align="left"><br /> <u>-Assignments</u>:</p> <p align="left"> -Paraphrases of the two poems analyzed in week #4 this is an individual activity. The paraphrase should be a complete rewriting of the 2 poems using words different from the original texts, to express their meaning with greater clarity and to identify differences and similarities. This exercise is based on the format included in the Petrarch site and take about 2 hours for each poem. It should be posted in the Petrarch site by Sunday at midnight.The paraphrase will allow to comprehend possible significant differences between the original and the translation and/or rewriting. </p> <p align="left"> </p> <p align="left"><br /> <strong>10. March 12, 2009</strong><br />  <br /> Petrarch and the visual arts<br /> In progress</p> <p align="left"> <u>Assignments</u>:</p> <p align="left">-Paraphrases of the two poems analyzed in week #5 this is an individual activity. The paraphrase should be a complete rewriting of the 2 poems using words different from the original texts, to express their meaning with greater clarity and to identify differences and similarities. This exercise is based on the format included in the Petrarch site and take about 1 hours for each poem. It should be posted in the Petrarch site by Sunday at midnight.The paraphrase will allow to comprehend possible significant differences between the original and the translation and/or rewriting.</p> <p>A <em>critical analysis of the 4 poems by Petrarch in comparison with the 4 poems by the Petrarchists</em> that students will have sudied during the course. This is a group activity for week #10. Each group should post in the Wiki 2 paragraphs of about 500 words comparing the 8 poems analyzed and discuss the differences and similarities in their reception in different historical and geographical contexts. The comparisons should focus on two poems each time, one from Petrarch and one from a Petrarchist. In doing this critical discussion students may use historical commentaries and other resources included in the Petrarch site or other sources to be discussed with the instructor. The writing of the 2 paragraphs should take about 2 hours and be posted in the wiki by the end of the week #10 (Sunday at midnight).</p> <p align="left"><br /> Concluding remarks<br /> <br />  <br />  </p> <p align="center"><a href="#TOP">TOP</a></p>