Reading Notes:
          
        Sue
          Campbell, "Chapter 2: Respecting Remembers," Relational
            Remembering, 25-45.
        25: Memory contests: Whose story is remembered, whose story
        counts?
        26: Repression, dissociation, and recovery from the unconscious
        26: FMSF: False Memory Syndrome Foundation
        27: Western culture's emphasis on memory as a key to selfhood
            possible contrasts with self as body, or
        forgetfulness and selfhood
            asymmetry between calling into question women as
        rememberers and women as deniers of the same memories being remembered
            FMSF socio-economic bias
        28: "The performance of a personal narrative is a fundamental means by
        which people comprehend their own lives and present a 'self' to the
        audience."
        29: Memory, interpretation, and the authenticity of a story: Whose story
        counts as real, and thus, whose self counts as real?
        29-30: Example: Beatrice Hanson, her grandaughter Katherine Borland, and
        Hanson's memory of her father:
            Hanson bets on a race against her father's advice and
        wins. Hanson's version of the story is one of proud accomplishment
        witnessed by a father who is ultimately proud of his daughter. Borland's
        account of Hanson is of a woman who defiantly stands against her
        chauvinistic, patriarchal father.
        32-34: How we come to see a person as a 'person': i) requires a
        normative view of personhood (judgment about what a valid person is),
        ii) that this normative view is established socially, iii)  can
        occur to varying degrees, and iv) is established through the conferring
        of 'respect.'
            Respecting that a person remembers
          correctly, and can act on that intention appropriately, confers
          personhood on that person. Likewise, disrespect devalues
        that person's personhood.
        35: Example: the difficulty that incest survivor has in establishing
        appropriate intentions towards the future, in part due to the molester's
        damaging the survivor's sense of memory, which becomes highly confused
        (What really happened?!), and her ability to plan for the future
        (appropriate intention).
        39: (contra John Locke), memory is not just remembering past actions and
        experiences with the same consciousness as when the action or experience
        took place, but now to have a retrospective view with a different, and
        possible more evolved sense of the significance of the event, and one's
        sense of responsibility, awareness, and values with regard to it: "changed
          consciousness [is a] part of normal experiential memory"
        38: Example: Learning Remembering
        41-42: William James' example of Thurlow Weed: The power of having
        another listen to and hear your story. Converse example of
        someone constantly questioning your version of past events.
        In this sense, the self of story, of past memory, present intention, and
        faith and hope in the future, is the story of a relational
            self.
          
          Robert Akeret, "Chapter 1: Naomi: The Dancer from the Dance," Tales
            from a Travelling Couch, 19-57.
        Background of Robert Akeret and his book, Tales from a
          Travelling Couch.
        The case of Naomi, one of his first patients.
        Dissociative Identity Disorder (Multiple Personality Disorder)
        Does Naomi's case fit? Etiology - Infant sexual abuse
        
        Akeret's role and 'treatment'
        
        Parent-child relationship, memory, and self
        
          
          Film: Return with Honor, presented by Tom Hanks
          
          T. S. Eliot
          
          Music heard so deeply
          
          It is not heard at all
          
          And you are the music 
          
          While the music lasts
          
          Leona Lewis, The First Time Ever I Saw Your Face