|
|
Interchange: Advice from CWC Teachers Fall 1998: Mike Arnzen and Ken Wright What advice would you give to a first-time CWC instructor, particularly one who may not be comfortable with the technology? To what extent do you think they can expect the technology to be enabling in vital and exciting ways? Mike Arnzen Turn to the computers when it's time to spin issues centrifugally, out into the "real"/"virtual" world of the internet, or when it's time to write independently. Ken Wright There are, though, several things, each fairly easy to learn, that teachers with not a great deal of technological expertise can do with the technology to enhance the teaching of writing. First, type up prep-notes or reading notes and use the projector to project them onto the classroom wall. Doing so allows students to view far more of a teacher's thinking than he or she could possibly reveal via chalkboard. (It forces me to compose far more detailed notes, for I don't want students to see my usual abbreviated chicken scratchings.) In teaching students to think critically about texts, we, if we are honest, are really asking students to approach readings the way that we do (that is not to say we want them to think like we think). Projecting our notes models our approaches, and that is something we can't possible do to the same extent on a chalkboard. Second, using an email discussion list to which students are required to post, say, two reading responses a week can energize a writing class in two ways: one, it expands discussion beyond the time constraints of classroom meetings, and, two, it allows said posts, because they are stored as email messages, to be brought into the classroom and projected on the wall for further discussion. This activity often, because of the amount of discussion, eases for students the transition from germ-idea to essay. It also provides students with a record of the thinking process of the class as a whole, and that can lead to the formation of a tighter community. Third, the word processor that is loaded onto each computer, Microsoft Word, can be used to give students a greater role in designing the peer review procedures of a course. Once students have been taught to save their essays in the necessary format for Word, they can then exchange disks and open up a copy of each others' essays to read for critiquing. Giving students a lot of latitude as to just how they form their responses--printing the essay and responding by hand, responding on-screen within the text using a different font, responding on-screen at the end of the essay, or a combination of all methods--seems to give students a greater feeling a control over the process than they might achieve in a traditional classroom. One caution, though, the first workshop will be rough. Disks won't open. Printers won't print. Some students will get very frustrated. But if teachers and students stick with it, I think they might be pleased to see that in subsequent workshops an atmosphere of deep collaboration develops.
Can you talk a little about the ways you have made use of the technology in the classroom; what, in general (or specifically), has worked for you? Can you characterize times when the technology has obstructed your teaching? Ken Wright My procedure for postings to the list are fairly simple. Students are required to make two postings a week of at least two screens in length. The first posting of a week is to be a response to a reading or to something that was discussed in class. The second posting must be a response to a fellow student's first posting for that week. I set a time by which all postings must be posted, and I think it's important that teachers set a posting-time that allows them sufficient time to read postings before class. While reading them, I mark those I wish to project in class, making sure that throughout the term the students receive equal time. In the classroom during, say, the discussion of a reading, I may project several students' postings in order to encourage further analysis. Or I may have the students form groups, open one member's email account, and choose for discussion two or three postings that are not from their group's members. The main downside of an email list is that some students will wait until most of their peers have posted in order to mine from them ideas for their own posts. How one deals with that depends on how one decides to grade postings. The peer-critique process using the word processors operates more or less like this: students are required to bring in the first version of their essays as files on disks, saved in the format necessary for Word to be able to open them (the format depends on the word processor they us outside of class). I form them into groups of three or four, they exchange disks, open each other's essays, and save those essays to the desktop. (Essays must be saved to the desktop or the disk cannot be removed to be handed to the next person. This sharing process can also be done through the composition server, but I've found, because the server can go down or because mistakes are easily made with the server, that using disks makes it easier to rectify errors.) Once the essays are saved, the students then begin reading each others' essays following my guidelines for critique. From that point on, however, the actual structure of their responses becomes their own to formulate. A typical workshop, once students have become familiar with the technology, will look very chaotic. Students will move about the room printing essays they've responded to, helping other students, even those outside their groups, with their writing, pointing out to a peer something they've found on the Web that supports or contradicts that peer's assertions, and generally engaging in the process of communication in far a more active manner than in a traditional classroom. The act of creating the structure of the workshop, rather than having it created by a teacher who puts them in little circles of desks as in a traditional classroom, engages the students more deeply into the processes of communication. The downside of peer critiques in the CWC are disks that don't open. There will likely be one or two students in a class whose disks, for some reason, will never open in the computer room even though they open everywhere else. It is a good idea, though it uses a lot of paper, to require students to always bring a hardcopy of their essays to class. The technology has never really obstructed my teaching. One must be very flexible because things break or don't work the way that they are supposed to. It is a good idea to NEVER enter the classroom with a lesson that depends so much upon the technology that you will have nothing to do should the technology fail. When things have broken, I have either returned to the traditional method of delivering instruction, moved on to something else, rearranged the schedule, or made the technology the subject of discussion. One problem arising from the technology is that some students will allow it to distract them from listening to the teacher or to their peers, but that problem can be minimized by setting ground rules during the very first class. New teachers will find that after the first week of class, students will start to arrive early to check their email before class begins. This activity can easily expand into class time as students read and respond to messages. My procedure for dealing with this problem has been to announce at the beginning of each class: "One minute warning. Finish the message you're on and close down your email account." The students get used to the pattern, many of them after a few weeks will even begin to log off of their accounts as class time approaches, and it is seldom that I have had to ask a student to log off his or her email and join the class. Mike Arnzen Specifically, mandating e-mail discussion lists and providing a web page has worked wonders for my classes (whether in the computer classroom or not). E-mail gets students talking through writing -- they come to see writing as an interactive dialectic with a reader. The web gives students a way to catch up if they missed a day, or can be used as a springboard for research. The web page also treats writing as a form of publication, so I always post student work . . . if only e-mail list conversations. In the CWC, I also try to have the class read on- line materials from the web while in the room, and I usually assign a paper about internet issues. Although the room is facilitated with Commonspace chatting/peer editing software, I like to teach students how to use the "TALK" command on UNIX (since they can use this to chat anywhere on the internet, not just in the classroom) to discuss issues one-on-one. They like it.
Does your approach to class texts (e.g. what reader you will use) change when you consider CWC versus a more traditional classroom? To what extent do you make computer technology a critical context for your writing courses (whether in terms of discussion or writing assignments)? Mike Arnzen Ken Wright
What advice would you give to the instructor faced with the decision of whether or not to teach HTML in a ten-week writing class? Do you feel it is appropriate? Necessary? Could you offer a brief explanation of your goals for requiring students to construct Web pages/sites? Generally speaking, how successfully do you think these goals have been met? Ken Wright Where I have taught HTML is in Wr123, but I must qualify what I mean by "teaching HTML." Simply teaching HTML as a skill students need to learn would be as inappropriate in a writing course as it would be in, say, a history course. But teaching HTML as a small part of an essay unit during which students research the rhetoric of the WWW and then write essays critiquing the same is, I think, appropriate. My reason for having students in a Wr123 course research and write about the WWW is because, baring a tremendous reversal, it will become an ever larger part of all our lives. And being that what's presented on the WWW, the texts and images, arises from the rhetorical choices made by web page composers, the WWW is a highly appropriate subject for analysis in a writing course. I also wanted to teach web page analysis because, over the past few years, I've noticed that my students attach an undeserved mystique to what's presented on the WWW, and, also, because there is a great deal of unexamined, and just plain wrong, information on the WWW. (For example, I once found Cicero and Quintilian listed as Greek rhetoricians on a major university's composition page.) The basic structure of the WWW unit is as follows: Students were required to read several essays discussing methods of analyzing the WWW, some of which exist on the WWW. They next, in small groups, had to pick a web page from a long list of pages provided by me (these pages ranged from extremely conservative to anarchistic), critique their chosen pages using what they had learned from the readings, and present that critique to the class. They then, individually, had to choose some aspect of the WWW to research and write an argumentative essay about just like the research essays they had written earlier in the term. Finally, they were required to create a simple web page. The web page portion of this unit could be left out with little or no harm to the rest of the unit. But I felt that my students should experience the rhetorical activity of choosing how to present themselves on the WWW. And if they were going to critique the WWW, they should at least know a little about what goes into creating it. Also, I hope the page might prove useful to them when they hit the job market some years down the road. (After seeing the pages, I also hoped their tastes in colors would be come a bit more, well, drab.) The web-page requirement was quite simple: they were to create a page that, for the most part, reflected their academic interests and, to a lesser extent, their individual interests. In doing so, the students had to make links to five other web pages, three of which must relate to their majors, insert one image, and have a link to their final reflective essay for the course. The handout explaining to the students the HTML code necessary to create the page, to link to other pages, to insert images, and the gladstone commands needed to set up the required directories and files on their Internet accounts was less than a page long. It took less than one class period for all the students to have their pages up and running. All other work on their pages, finding the links and image, were to be done outside of class except for time I set aside at the end of two class periods near the term's end. I did give them the URL for a WWW site where they could download and print out a brief manual detailing more advanced uses for HTML, but should they decide to use that manual to "spruce up" their pages they were instructed that they would have to do so on their own time. So, finally, my suggestion to "the instructor faced with the decision of whether or not to teach HTML in a ten-week writing class" is don't teach HTML. I don't. It's not what we're about. I merely gave the students a handout which they typed letter for letter into a file on their Internet accounts. That is not to say that many of my students did not learn a lot more HTML than I provided, but they did so on their own. How did the WWW assignment workout? The essays were generally good, a couple were outstanding. The group critiques were fine--in fact, they were a lot of fun because many of the groups chose outlandish web pages to critique--and the reflective essays were good as well. The student web pages, however, were another story. All the students but one completed the minimum requirement of five links, one image, and a link to the reflective essay, so failure to follow my instructions wasn't the problem. What was the problem, for me at least, was the appearance of the pages. We had discussed the disadvantages of using, and in some cases mocked the use of, garish backgrounds, small text or text that blends in with the backgrounds, big images that load slowly or numerous small images that accomplish the same thing, images inappropriate for a profession web page, and animated images that distract the viewer, yet nearly all my students did at least two of those things and in a few cases made all of them. I was very disappointed at first because I couldn't see how most of my students' pages would be of any use to them in their chosen fields. (They can always change the pages before they cite them on their resumes, of course.) I still feel a bit disappointed, but I think I understand why the students composed their pages as they did. They were following their teacher's instructions because they've been geared to since the first grade AND they were resisting being categorized at the same time. When I instructed them to make pages that mostly reflected their academic interests as well as, to a lesser extent, them as individuals, they understood "academic interests" to mean that all they needed to do was follow my instructions. Being in our profession is a large part of who I am, so, as one would expect, my web page reflects little but my academic interests. But for most of my students the same isn't the case, so while they met the requirements, they were damn sure also going to make web pages that they hoped members of their generation would find cool. There were two incidents during the unit that support this thought. The first was that my one middle-aged student composed a web page that had a gray background and the minimum requirements. She then moved on to other work. The second was a comment I heard one student make to another while the latter was experimenting with different web-page backgrounds. The student composing the page asked her friend's opinion of her latest background choice, and the friend replied, in all seriousness, "Oh, it's you!" As the teacher, I had the authority to require each student to put his or her "you" on the WWW for all to see, but each student insisted on choosing the "you" she or he wanted to present. Mike Arnzen
What have you considered to be your biggest challenge in becoming a successful teacher in CWC? Mike Arnzen Ken Wright
|
|
Composition Program | Department of English | 118 Prince Lucien Campbell Hall ©2004 University of Oregon. All rights reserved. |
||