Canzona Errata

Go to errors in the parts.

Canzona by Peter Mennin

measure # Below are errors in the score:

4
Cornet 3 - add slur between D and C#

9
Clarinet 1 - add slur beginning with D on "and" of beat 2, extending to the C on "and" of beat 3

10
Clarinet 2 - sharp sign missing before F on beat 3; carries to the F on "and" of 4

13
Alto and Tenor Saxophone - add eighth rest to beat 3

13
Oboe - add staccato mark to the fourth eighth note (A)

21
Baritone Saxophone - add tenuto mark to final quarter note

29
Trombone 1 - add staccato to E-flat

31
Tenor Saxophone - add natural sign before E on beat 4

51
Bassoon 1 - add sharp before the note F

51
Baritone B.C. - add flat sign before the D

52
Tenor Saxophone - add flat sign before E

53
Trumpets - add staccato marks to two eighth notes on beat 3, and to the final eighth note

54
Trumpets - add staccato marks to all notes except the two sixteenths

55
Baritone B.C. - add flat sign before the D

76
Bassoon - eighth-note G should be indicated for both parts

84
Bass Clarinet - add flat sign to half-note B on beat 2

85
Oboe - 3rd note is an E, 4th note is C (score unclear)

100
Oboes - missing staccato marks on beat 3

108
Bass Clarinet - add tenuto marks to both half notes

112
Bassoon 1 - slur missing between F and E

120
Oboe - add staccato mark to D eighth note on "and" of two

122
Alto Saxophone - slur missing between final 2 notes in 2nd part

123
Alto Saxophone - slur missing between first 2 notes in 2nd part

126
Cornets 1, 2, 3 - slur needs to carry over from previous page

126
Horns 1, 2, 3, 4 - add staccato marks to 2 eighth notes on beat 2, and the eighth-note on "and" of beat 3

132
Oboes - add sharp to the fourth eighth-note (C)

132
Trombone 2, 3 - add staccato mark to the eighth-note

136
Horn 3, 4 - add staccato mark on the "and" of beat 2

141
Alto Saxophone - add sharp in front of the F

148
Trumpet 2 - add sharp before the first eighth-note (C)

153
E-flat Clarinet - add flat sign to final quarter-note G

156
Cornet 1, 2, 3 - questionable staccato mark on final pitch

Pages 12-15
Following parts are labeled incorrectly: Trombone, Baritone, Bass, and String Bass. The parts appear in the proper order.

This errata information extracted from an article titled "Peter Mennin's Canzona: An Interpretive Analysis" by Barry E. Kopetz published in The Instrumentalist in January 1989 and found in the second volume of the Conducting Anthology.

Go to errors in the score.

Canzona by Peter Mennin

measure # Below are errors in the parts:

7
Horn 4 - add the accent on beat 4

9
Clarinet 1 - add slur beginning with D on "and" of beat 2, extending to the C on "and" of beat 3

9
Baritone T.C. - eliminate sharp sign before the B

10
Clarinet 2 - sharp sign missing before F on beat 3; carries to the F on "and" of 4

12-13
Flute - the first full measure plus the first two eighths of the next measure should be marked 8va

12
Oboes - part is written in only one octave; Oboe 1 should be 8va until the end of beat 2 in measure 17

14
Horn 1, 2, 3, 4 - missing < > marks

15
Basses - add flat to the first quarter-note B

17
Bass Clarinet - eliminate stray flag connecting the first eighth note and the quarter note

19
Cornet 1 - slur should extend to the end of beat 3

19
Horn 1, 2, 3, 4 - missing < > marks

19-20
Tenor Saxophone - missing < > marks

20
Alto Saxophone - missing > mark

20
Horn 1, 2, 3, 4 - missing > mark

21
Baritone Saxophone - add tenuto mark to final quarter note

21
Baritone T.C. and Baritone B.C. - add tenuto mark to final quarter note

22-23
Cornet 1 - add slur connecting beat 3 to the first beat of the next measure

30
Clarinet 1, 2, 3 - slur should connect only the first two sixteenth notes

31
Tenor Saxophone - add natural sign before E on beat 4

33
Clarinet 1 - staccato mark over the sixteenth-note F# should be eliminated

34
Trombone 3 - add staccato marks to the first two eighth notes

34
Baritone - add slur beginning on beat 2 and extending to the end of beat 3

41
Piccolo and Flute - slur should connect the first two notes only

47
Alto Clarinet - remove staccato mark from below the first note

51
Baritone B.C. - add flat sign before the D

51
Baritone T.C. - add flat sign to the E

52
Tenor Saxophone - add flat sign before E

53
Baritone B.C. - add flat sign before the E

53
Baritone T.C. - change beat 3 from a D to an F (concert E-flat)

55
Alto Saxophone - add accent to B-flat on beat 3

55
Baritone B.C. - add flat sign before the D

55
Baritone T.C. - add flat sign to the E

58
Bassoons - staccato missing from eighth note on beat 3

72
String Bass - add flat sign to the quarter-note E

84
Bass Clarinet - add flat sign to half-note B on beat 2

91
Clarinet 1, 2, 3 - staccato mark missing ffrom the final eighth note

101
Clarinet 1 - slur should extend to the third note (D)

106
Bassoons - missing < > marks

108
Bass Clarinet - add tenuto marks to both half notes

113
Percussion - missing decrescendo in bass drum part

115
Flute - slur between G-flat and F sixteenth notes is missing

116
Clarinet 3 - staccato mark missing from eighth-note A on beat 2

117
Flute - slur missing between first two sixteenths on beat 4

121
Clarinet 3 - remove staccato mark from below the first note

123-4
Cornet 3 - add slur between beat 3 and the eighth note in measure 124

124-5
Bassoons and Baritone Saxophone - slur missing between beat 3 and the first beat of the next measure

125-6
Cornet 3 - add slur to the final two eighths extending to the dotted quarter G in the next measure

126
Horn 2 - missing staccato marks on beat 2 plus "and" of 3

127
String Bass - add staccato mark to the eighth-note

132
Oboes - add sharp to the fourth eighth-note (C)

138-9
Bass Clarinet - slur missing between beat 3 and the first eighth of bar 139

140-1
Bass Clarinet - slur missing between eighth-notes beginning on beat 4 and the dotted quarter in the next measure

141
Alto Saxophone - add sharp in front of the F

141
Baritone Saxophone - add accent to quarter note on beat 3

142
Baritone B.C. - add flat sign before the B

142
Baritone T.C. - eliminate the sharp sign before the C

148
Trumpet 2 - add sharp before the first eighth-note (C)

152
Alto Clarinet - slur missing between the quarter-note on beat 2 and the D# eighth-note on beat 3; staccato mark missing from same D#

153
Oboes - slur beginning on beat 3 should continue over to the note A on beat 4

153
Clarinets 1, 2, 3 - slur should extend from the four sixteenths to quarter-note on beat 4

156
Alto Clarinet, Bass Clarinet, Bassoons, Alto Saxophone, Tenor Saxophone, Baritone Saxophone - final accent should be ^ mark

156
Trombone 1 - add accent ^ to final pitch

This errata information extracted from an article titled "Peter Mennin's Canzona: An Interpretive Analysis" by Barry E. Kopetz published in The Instrumentalist in January 1989 and found in the second volume of the Conducting Anthology.

Errors in the score or parts.

Canzona by Peter Mennin
measure #	Below are errors in the score:
4	Cornet 3 - add slur between D and C#
9	Clarinet 1 - add slur beginning with D on "and" of beat 2, extending to the C on "and" of beat 3
10	Clarinet 2 - sharp sign missing before F on beat 3; carries to the F on "and" of 4
13	Alto and Tenor Saxophone - add eighth rest to beat 3
13	Oboe - add staccato mark to the fourth eighth note (A)
21	Baritone Saxophone - add tenuto mark to final quarter note
29	Trombone 1 - add staccato to E-flat
31	Tenor Saxophone - add natural sign before E on beat 4
51	Bassoon 1 - add sharp before the note F
51	Baritone B.C. - add flat sign before the D
52	Tenor Saxophone - add flat sign before E
53	Trumpets - add staccato marks to two eighth notes on beat 3, and to the final eighth note
54	Trumpets - add staccato marks to all notes except the two sixteenths
55	Baritone B.C. - add flat sign before the D
76	Bassoon - eighth-note G should be indicated for both parts
84	Bass Clarinet - add flat sign to half-note B on beat 2
85	Oboe - 3rd note is an E, 4th note is C (score unclear)
100	Oboes - missing staccato marks on beat 3
108	Bass Clarinet - add tenuto marks to both half notes
112	Bassoon 1 - slur missing between F and E
120	Oboe - add staccato mark to D eighth note on "and" of two
122	Alto Saxophone - slur missing between final 2 notes in 2nd part
123	Alto Saxophone - slur missing between first 2 notes in 2nd part
126	Cornets 1, 2, 3 - slur needs to carry over from previous page
126	Horns 1, 2, 3, 4 - add staccato marks to 2 eighth notes on beat 2, and the eighth-note on "and" of beat 3
132	Oboes - add sharp to the fourth eighth-note (C)
132	Trombone 2, 3 - add staccato mark to the eighth-note
136	Horn 3, 4 - add staccato mark on the "and" of beat 2
141	Alto Saxophone - add sharp in front of the F
148	Trumpet 2 - add sharp before the first eighth-note (C)
153	E-flat Clarinet - add flat sign to final quarter-note G
156	Cornet 1, 2, 3 - questionable staccato mark on final pitch
Pages 12-15	Following parts are labeled incorrectly: Trombone, Baritone, Bass, and String Bass. The parts appear in the proper order.
This errata information extracted from an article titled "Peter Mennin's Canzona: An Interpretive Analysis" by Barry E. Kopetz published in The Instrumentalist in January 1989 and found in the second volume of the Conducting Anthology.

Canzona by Peter Mennin
measure #	Below are errors in the parts:
7	Horn 4 - add the accent on beat 4
9	Clarinet 1 - add slur beginning with D on "and" of beat 2, extending to the C on "and" of beat 3
9	Baritone T.C. - eliminate sharp sign before the B
10	Clarinet 2 - sharp sign missing before F on beat 3; carries to the F on "and" of 4
12-13	Flute - the first full measure plus the first two eighths of the next measure should be marked 8va
12	Oboes - part is written in only one octave; Oboe 1 should be 8va until the end of beat 2 in measure 17
14	Horn 1, 2, 3, 4 - missing < > marks
15	Basses - add flat to the first quarter-note B
17	Bass Clarinet - eliminate stray flag connecting the first eighth note and the quarter note
19	Cornet 1 - slur should extend to the end of beat 3
19	Horn 1, 2, 3, 4 - missing < > marks
19-20	Tenor Saxophone - missing < > marks
20	Alto Saxophone - missing > mark
20	Horn 1, 2, 3, 4 - missing > mark
21	Baritone Saxophone - add tenuto mark to final quarter note
21	Baritone T.C. and Baritone B.C. - add tenuto mark to final quarter note
22-23	Cornet 1 - add slur connecting beat 3 to the first beat of the next measure
30	Clarinet 1, 2, 3 - slur should connect only the first two sixteenth notes
31	Tenor Saxophone - add natural sign before E on beat 4
33	Clarinet 1 - staccato mark over the sixteenth-note F# should be eliminated
34	Trombone 3 - add staccato marks to the first two eighth notes
34	Baritone - add slur beginning on beat 2 and extending to the end of beat 3
41	Piccolo and Flute - slur should connect the first two notes only
47	Alto Clarinet - remove staccato mark from below the first note
51	Baritone B.C. - add flat sign before the D
51	Baritone T.C. - add flat sign to the E
52	Tenor Saxophone - add flat sign before E
53	Baritone B.C. - add flat sign before the E
53	Baritone T.C. - change beat 3 from a D to an F (concert E-flat)
55	Alto Saxophone - add accent to B-flat on beat 3
55	Baritone B.C. - add flat sign before the D
55	Baritone T.C. - add flat sign to the E
58	Bassoons - staccato missing from eighth note on beat 3
72	String Bass - add flat sign to the quarter-note E
84	Bass Clarinet - add flat sign to half-note B on beat 2
91	Clarinet 1, 2, 3 - staccato mark missing ffrom the final eighth note
101	Clarinet 1 - slur should extend to the third note (D)
106	Bassoons - missing < > marks
108	Bass Clarinet - add tenuto marks to both half notes
113	Percussion - missing decrescendo in bass drum part
115	Flute - slur between G-flat and F sixteenth notes is missing
116	Clarinet 3 - staccato mark missing from eighth-note A on beat 2
117	Flute - slur missing between first two sixteenths on beat 4
121	Clarinet 3 - remove staccato mark from below the first note
123-4	Cornet 3 - add slur between beat 3 and the eighth note in measure 124
124-5	Bassoons and Baritone Saxophone - slur missing between beat 3 and the first beat of the next measure
125-6	Cornet 3 - add slur to the final two eighths extending to the dotted quarter G in the next measure
126	Horn 2 - missing staccato marks on beat 2 plus "and" of 3
127	String Bass - add staccato mark to the eighth-note
132	Oboes - add sharp to the fourth eighth-note (C)
138-9	Bass Clarinet - slur missing between beat 3 and the first eighth of bar 139
140-1	Bass Clarinet - slur missing between eighth-notes beginning on beat 4 and the dotted quarter in the next measure
141	Alto Saxophone - add sharp in front of the F
141	Baritone Saxophone - add accent to quarter note on beat 3
142	Baritone B.C. - add flat sign before the B
142	Baritone T.C. - eliminate the sharp sign before the C
148	Trumpet 2 - add sharp before the first eighth-note (C)
152	Alto Clarinet - slur missing between the quarter-note on beat 2 and the D# eighth-note on beat 3; staccato mark missing from same D#
153	Oboes - slur beginning on beat 3 should continue over to the note A on beat 4
153	Clarinets 1, 2, 3 - slur should extend from the four sixteenths to quarter-note on beat 4
156	Alto Clarinet, Bass Clarinet, Bassoons, Alto Saxophone, Tenor Saxophone, Baritone Saxophone - final accent should be ^ mark
156	Trombone 1 - add accent ^ to final pitch
This errata information extracted from an article titled "Peter Mennin's Canzona: An Interpretive Analysis" by Barry E. Kopetz published in The Instrumentalist in January 1989 and found in the second volume of the Conducting Anthology.