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Talking With:
Indigo Girls
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By Emily Walter
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Devout Indigo Girls fans are faithful to the Girls and their music the way someone
is loyal to a sister, football team, or lover. Hard-core fans
are known as Indy Heads. Indigo Girls didn't earn their fans overnight-they've
been playing together since 1981 and have released seven albums
since 1985. Emily Saliers and Amy Ray, two southern girls from
Georgia, bridge a gap in generations with their style of political
folk music.
Indigo Girls were in Eugene shortly before their new album Shaming
of the Sun was released. Shaming is a continuation of the
vein of political awareness but without the hard edge of their
earlier years. The topics of their music have changed and are
becoming both more political and retrospective. Songs such as
"Get Out the Map" and "Hey Kind Friend" sound as if the Girls
are trying to reconcile with the circumstances of the lives that
they've chosen. Tunes like "Leeds" address political issues such
as the recent southern church burnings. This new album is the
first release since the Indigo Girls releasedthe double-live 1200
Curfews album with Epic in 1996.
The Indigo Girls are in a spare dressing room after sound check
at the Hult Center. They're on their first real tour since their
massive Honor the Earth Tour in 1995. The tour was 16 benefit
concerts in 21 western states raising money for Native American
activists working to protect the remains of Indian land base and
culture. It was the largest single fund raising effort in the
history of Native American activism. Their show was more like
an affirmation through music than a cut and dry concert. The Indigo
Girls seemed to have mellowed out a little and started concentrating
more on their music. They've just come off a year- long rest and
their relaxed personalities show in their easy smiles and thoughtful
looks.

Amy Ray spent her year off pursuing other political movements,
such as the Zapatista revolutionaries and working on her independent
label Dameon Records. An Atlanta based label, this project shows
signs of Amy's strong connection to the Folk Underground. Emily
worked on other projects but took the year off as an opportunity
to get her fingers and toes back in the dirt. It was a much deserved
break after spending years playing festivals, touring, and recording.
The most immediate impression of Amy and Emily is how well they
work together. Amy has a speaking voice that could just make a
person melt. Her tenacious political nature is clear. She is easy-going
and talkative, beautifully complementing Emily's more thoughtful
presence. Emily is so down to earth it's like she's got an inside
line with Mother Nature. Together they create a classic duo whose
lyrics seem to immortalize the hearts of their fans and who's
activism serves as inspiration to all.
OV: Amy, you once said that you and Emily lead different lives
but come up with the same music-you end up writing about the same
subjects. Why do you think that is?
Amy: Yeah, I think what I was talking about was when we had just
had all this time off. We really were separate most of the time
and didn't see each other that much. When we came back together
to hear each others' new songs and stuff we were writing about
a lot of the same things. We had been through a lot of the same
experiences, obviously, the year before we were off, so I think
it was just that we had both reflected on that and wrote about
it. But, I thought it was interesting because it pretty much happens
every record. There ends up being themes.
Emily: Well, if you think about it, a lot of our experiences come
from being on the road. We may interpret or express differently,
but we're observing a lot of the same things. In the case of the
tour, like Honor the Earth for instance, that's so powerful and
profound and we're learning so much. We're around all these really
cool environmentalists and grass roots activists, Native Americans
. . . We're both hearing the same stories and learning the same
facts and sort of synthesizing internally the same experiences.
OV: What did you do after the Honors Tour?
Amy: We went to England, oh my God.
Emily: Ohhhh, Yeah.
Amy: It's like we finished. We did this massive political tour,
environmental tour learning about the effects of colonialism,
colonization and imperialism and then we go to England where everything
came from, so it was kinda weird-it's not the same people obviously.
We love England but, . . . .
Emily: At that time it was a very strange juxtaposition. . . .
Amy: It had a very odd impression on us to be in, to be hanging
out with all these Indian activists and then go to a very Anglo
place. It was hard, but we love England so we just kinda worked
through it. With Honor the Earth it was like every single day
we had politics and press conferences. That's a lot, so it's hard
to do anything after that .
Emily: We took a year off. It ended up being a little bit more
then a year actually.
Amy: We went to a live record that came out, and spent a lot of
time putting that together, more then we thought we would-a few
months actually.
Emily: We were trying to make the grade there, so it was a mix.
We really picked through things carefully.
Amy: I have a record label and I've spent a lot of my time on
my record label. . . I sang a lot, played a lot then, and saw
other people besides Emily.
Emily: I worked on my house a lot y'know, just cause I had boxes
and boxes and piles and piles of things that I hadn't gone through
in years. I just sorted through those things. . . tried to get
reacquainted with people.
Amy: It's hard for people to imagine when we say a year off it
seems like such a long amount of time but it's not really. . .
Emily: It went so quickly.
Amy: We're writing, we're practicing, we're planning other things.
Emily: You lag behind too, when you go on the road, things that
you can't really attend to at home for obvious reasons. And then
when you come back it's like "Whoa, people went through this stuff."
OV: Yeah, there was a song on Shaming the Sun, I can't remember
the name, it was talking about friends that had left or had gone
and you had missed them. . .
Emily: "Hey Kind Friend."
OV: Yeah! But, it left an impression.
Amy: Being on the road has its problems. I mean, I love travel,
it's just that when you're mostly away you miss funerals and weddings
y'know. And it's like births and deaths. I mean everything, you
miss a lot of things. You miss your family and your relationships.
OV: Do you think that your music outweighs those experiences that
you're missing?
Emily: You mean is it worth it?
Amy: Is it worth it? Yeah. Yeah it's worth it.
Emily: It's definitely worth it. It's just like every job has
its drawbacks, and those are some of the major drawbacks of the
job. But there are so many things that are good, we get to have
so many great experiences.
OV: What political movements would you like to draw attention
to on this tour? Or are you trying to at all?
Amy: Some cities we go to we'll set up a table in the lobby, like
the National Commission for Democracy comes to mind, and the Chiapas
recently too. We've done a lot of interviews recently talking
about the Zapatistas and that movement and then also a lot of
follow up in different states from the Honor the Earth Tour. But,
really the Honor the Earth Tour is a very targeted tour. Other
than that it's like whoever's having a tough time of it. We do
benefits here and there.
Emily: Yeah, stuff comes up and it's everywhere. It's just so
much a part of our lives.
OV: Have you ever felt that your issues overshadowed your music
at all?
Amy: It would be hard to be objective, I mean we do. . . . we're
not heavy handed in our music, but I think in our lives we kinda
are. We go " Maybe this show we should just play music, y'know
let's do a tour and not do politics this tour let's just play
music. If we get asked about it we'll talk about it but lets not
make every show the Earth tour." We never stop writing about what
we want or censor ourselves or, if somebody speaks at a show from
a certain group, stop them. But, we had no idea if it overshadowed
our music.
OV: What plans do you have once your record deal with Epic is
up?
Amy: Well, we have three records left to make.
Emily: We had thought about it but we're kinda like "Lets not
talk about it."
Amy: Yeah, I wanna be independent and Emily said. . . .
Emily: You know Amy doesn't wanna be on a major label anymore
and I just don't feel that way right now.
Amy: I like Epic though, Epic is different.
Emily: Yeah, we have a really good relationship with our label.
Amy struggles more with the association with the corporate corporation
and the selling of music. I don't have the same. . . I'm not.
. .I just don't feel as strongly about it the way Amy does. But
y'know in five years I could change my mind, or anything could
happen.
Amy: Or I could.
Emily: You could. . .that's a stretch. Anything is possible, we're
really just enjoying
making music together and touring.
Amy: Our label, they support us, we can sing about being gay or
pro-choice or. . .
Emily: Pearl Jam, Keb Mo,. . .
Amy: A lot of good creative artists that determine their own path
are on that label. Most people on that label are like " Y'know,
you tell us what you want." kind of people.
OV: How do you think folk music has changed?
Emily: It means different things to different people. There's
like traditional folk, the purer hard-core stuff like Woody Guthrie
and Pete Seager and even Bob Dylan folk, which is even more the
fusion of rock n' roll and folk with Dylan especially as his career
progressed. We've been pigeon-holed in. . . well, we won the Grammy
for Contemporary Folk but we're in with groups like the Chieftains.
. . or Ani. . .
Amy: There's Ani [DiFranco] in folk punk. I was just thinking
about it, they [mainstream] went through a Pop Folk phase didn't
it? And now it's back to more organic folk music. I mean Ani is
organic. She may be punky but it's like folky traditional, into
politics, folk music.
Emily: There's some musical fusion there. . .
Amy: Yeah, with hip hop beats. . .
Emily: Bass, but the message is there, it's acoustic.
Amy: Keb Mo, he's so organic, I mean he's not really folk he's
blues too. It feels good, it feels like some of the folk artists
are getting back to, well, WE'RE not, but other people are getting
back or trying to be more acoustic guitar or sly, the sound of
it is not so polished.
OV: What is your relationship, or what do you think of Ani DiFranco
and her music?
Emily: We worship her! We bow down to her. She's awesome.
Amy: We're friends. We'd heard of her for a longtime and we've
listened to her. Our bass player [Sara Lee] played with her this
last year so that was our relationship. I talked to Ani a couple
times at Eddy's in Atlanta, we got to know her better, traveled
around, see her. Her drummer [Andy Stochansky] played on this
record with us on a couple songs. We traded her players, we gave
her Sarah and she gave us Andy. We're comrades, I mean in the
musical sense and political sense probably too. She's one of those
artists that I can look to and say "I have a peer."
OV: How do you think that your popularity and exposure has changed
you?
Emily: I still feel that Amy and I still write our songs depending
on what we're thinking about at the time.
Amy: I would say that when I was off for so long I just got more
relaxed. Everybody thinks-they look at your life and they go "she's
home, she's been home for a year, she was gone for so long before
that, that must be why she's so different `cause she's been home."
But that wasn't it, it was everything else that went on that helped
me be different. But they do say I get relaxed. Personally, you
get on the road and it's a different way of thinking and life.
The scenery is changing constantly, you're in a different city
everyday, it's vibrant all the time. Maybe along with that comes
some sense of watching your back all the time. So I feel like
our last tour season me and Emily were both kinda burnt out. And
I don't ever want it to be like that again, I wanna be free of
all that.
Emily: Now we know at this point, after playing for so long, we
know that if we take a year off it's not gonna be the end of our
careers y'know. We're not driven by that "Gotta keep goin', gotta
keep goin', gotta put that record out on time." Y'know we're not
really motivated by things that typically motivate people in the
music business. It feels good.
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