New faculty/staff are as follows:
- Sarah Dodson, 2009- (adm coord athletic bands)
- Lillie Wells, 2009- (adjunct instructor, assistant director of string pedagogy, Community Music Institute)
- Loren Kajikawa, 2009- (musicology)
- Lisa Montgomery, 2009- (accounting technician)
- A. Wayne Slawson, F2009 (visiting instructor music theory)
- Michael Rogers, W2010 (visiting instructor music theory)

New faculty/staff are as follows:
- Matthew Fuller, S2009 (adjunct instructor violin)
- Kevin Lefohn, S2009 (adjunct instructor violin)
- Alice Blankenship, W2009 (adjunct instructor violin)
- Andrew Kolb, W/S2009 (adjunct instructor cello)
- Joanna Blendulf, F2009 (adjunct instructor Collegium)
- Svreevidhya Chandramouli, W2009 (adjunct instructor ethnomusicology)
- Andiel Brown, 2008- (gospel instructor)
- Molly Barth, 2008- (flute)
- Nicholas Isherwood, 2008- (opera/voice)
- Lawrence Wayte, 2008-2009 (adjunct instructor, jazz/blues/pop history)
- Michelle Hakanson, W2009 (adjunct instructor, music history)
- Christopher Olin, 2008- (choral music education)

New faculty/staff are as follows:
- Jessica Simoes Wilson , 2008- (part-time admissions assistant)
- Jeff Brown, 2008- (information technology director)
- Cynthia Kolb, 2007-2008 (part-time CMS asst.)
- Kim Rottschaefer, 2007-2009 (adm coord athletic bands)
- Douglas Webster, 2007-2008 (adjunct opera instr)
- Laura Barron, 2007-2008 (adjunct instructor, flute)
- Jonathan Bolden, 2007-2008 (adjunct instructor, gospel ensembles)
- Jonathan Dubay, 2007-2008 (adjunct instructor violin)
- Amy Salmore, 2007- (development program assistant)
- Karin Hallberg 2007-2009 (Interim Community Music Institute director/Suzuki strings)

Special Events:
(Spring 2007) New construction begins on east and north wings adding practice rooms, studios, classrooms, performance rehearsal spaces, and hearth. Project also includes renovation of the 1950 south classroom wing and the 1920s wing near Beall Hall Lobby adding a club room and renovated administrative offices.
New faculty/staff are as follows:
- Laura Cozad, Fall 2006 (accounting tech)
- Ruth Dobson, 2006- (part-time voice)
- Alexandre Dossin, 2006- (piano)
- Maria Dossin, 2006-2007 (part-time piano)
- Kat L'Estrange, 2007 (part-time development secretary)
- Tegan Johnson, 2007-2009 (adj instructor music ed)
- Terri Libert, 2007-2009 (accounting tech)
- KM, 2006-2008 (part-time admissions secretary)
- Brian McWhorter, 2006- (trumpet)
- Lydia Van Dreel, 2006- (horn)
- Laura Wayte, Spring 2007- (adj instructor voice/lyric diction)
- Eric Wiltshire, 2006- (music education/assistant director of bands)

- July 1, 2005 official name became School of Music and Dance
- July 11, 2005 Music building renamed MarAbel B. Frohnmayer Music
Building following significant support of two lead donors enabling them
to request naming the building
New faculty/staff are as follows:
- David Bender, 2005-2006 (trumpet)
- Joseph Berger, 2005-2006 (horn)
- Judy Weigert Bossuat, 2005-2007 (Community Music Institute director/Suzuki strings)
- Patrick Carney, 2005-2006 (asst. director of bands)
- Dana Clark, 2005-2007 (Development secretary 2005-06/asst. Development director 2007)
- John Fenn, 2005- (ethnomusicology)
- Ellen Frohnmayer, Fall 2005 (courtesy appointment, voice)
- Philip Frohnmayer, Fall 2005 (courtesy appointment, voice)
- Glenn Griffith, 2005-2007 (trombone)
- Amy Goeser Kolb, 2005- (oboe/theory)
- Carla McShane, 2005- PT Business Manager Community Music Institute (1999-2002 volunteer, 2002-2005 temp staff CMI)
- Gail Norris, 2005- (Volunteer Coordinator-OBF)
- Timothy Pack, 2005- (theory/musicianship)
- Alan M. Phillips, W2006- (piano technician)
- Stephen Rodgers, 2005- (theory)
- Idit Shner, 2005- (saxophone/jazz studies)
- Siqin Taoli, 2005-2006 (part-time piano)

Special Events:
- SEAMUS (Society for Electronic Acoustic Music in the United States) host
- Chinese Winter and Summer Camp host

New faculty/staff are as follows:
- Mark Beudert, 1995-2002 (Voice)
- Jack Boss, 1995- (Music Theory& Composition)
- David Captein, 1995-2004 (Jazz String bass)
- Michael P. Denny, 1995- (Guitar)
- Joan Gardner, 1995-2002 (Director of Development)
- D. Sidney Haton, 1995-1999 (Vocal Jazz, Marching Band, Symphonic Band)
- Christopher M. Lee, 1995-1998 (Drumset)
- Julia Neufeld, 1995-2000 (Gospel Choir)
- Marc Vanscheeuwijck, 1995- (Music History, Collegium)

Special Events:
- International Horn Society host

The Catalog listed the following faculty and the fee charged for lessons. The faculty received 90% of the fee with the University retaining 10%. Faculty received no other salary.

The 1931-1932 Catalog included courses and faculty for the entire State System of Higher Education. The Dean of the School of Music was given authority over all music departments in the state system. The following information was given for Oregon State College at Corvallis:

The courses in music at Corvallis are service courses for students in the various major curricula of the college. No degrees or diplomas are conferred in music. Music is recognized at the college as fundamental value in the development of personality, enriching the life of every man or woman who learns to appreciate it. The faculty in music has been selected with great care, numbering among its members musicians of the highest rank.
- O.S.C. Musical Organizations: R.O.T.C. Band, Orchestra, Glee Club, Madrigal Club, Mandolin Club
- Courses: Applied Music, Theory
- O.S.C. Faculty: Lillian Petri (Piano), Paul Petri, director of Music Department (Singing), Byron Arnold, B.M. (also Music History, Theory) (Piano & Organ), Albert Creitz, B.M., orchestra director (Strings), Florence Bowden, B.A., (Strings: Cello, Violin, Mandolin, Guitar), Captain Harry L. Beard (Band and Wind Instruments)

The School of Music now consisted of eight departments: Piano, Voice, Organ, Violin/String Instruments, Wind Instruments, Public School Music, Structure of Music, and History of Music.

New faculty members:
- Arthur Boardman, 1929, 1932 (Voice, Choral). Head of Voice Department, Simpson College, Indianola, Iowa 1925-1926. Pupil of Vittorio Trevisan (Chicago), Guiseppe Pais and Franco Capuana (Milano), operatic acting with Emilio Picozzi (Milano). Leading tenor, Teatro Comunale (Moden, Italy) 1927-1928 and Teatro Regio (Torina, Italy) 1928-1929.
- John Stehn, 1929-1950 (Wind Instruments, Band). Grinnell College (B.A.) 1925, University of Iowa (M.S.) 1927. Faculty, University of Oklahoma 1927-1929.
- John R. Mez, 1929-1930 (Cello). Leipsic (D.H.H.L.) 1906 and Heidelberg University (M.A. and Ph.D.) 1910. Mez was an Associate Professor of Economics and Political Science and an author and lecturer in world politics and international affairs. In addition to his regular teaching duties at the University, he gave cello lessons for the School of Music for one year.

Aurora Potter Underwood (Piano) Returned to her position at the University of Oregon after receiving a new name and a new degree (Univ. of Oregon, B.M., 1921) and a year of studies in New York with Ethel Newcombe and Edwin Hughes.

Professor John Stark Evans taught: Musical Interpretation of Motion Pictures, Thorough Bass, Keyboard Harmony, Ear Training and Organ.

The catalog description of the University of Oregon states "An unusual opportunity is offered to members of the University Orchestra in the acquiring of technical and interpretive knowledge and experience through the rendition of high grade orchestral compositions of both classical and modern schools."

"A public recital from memory is required of all the candidates for the degree of Bachelor of Music." (Catalog)

"Ensemble classes (small groups of 3 or 4 violins, with or without pianos), are rehearsed once a week under the direction of Miss Forbes. The class is given graded compositions selected from the best classical and modern musical literature, and is given drill in sight reading techniques and interpretation." (Catalog)

Ruth Davis, Instructor in Piano, also became the new School of Music Secretary.

A new course is added. The catalog reads: "Special instruction in the difficult art of accompanying is given."

Carl V. Lachmund continued to take a limited number of students at the University, although he now directed the Lachmund Conservatory in Portland. He returned to the campus four times during each term. Avis Benton also joined the staff at Lachmund Conservatory and returned to the University campus 14 times during the semester to teach piano students.

Lesson fees: 1 lesson a week $18-$25 (1/2 hour), $35-$45 (1 hour); 2 lessons a week $35-$45 (1/2 hour), $70-$90 (1 hour)

Summer courses were offered for teachers and supervisors of public school music and students of music

Public School Music continued to be offered by the College of Education. The music courses were taught by the School of Music.

Public School Music was offered for the first time. A 4-year curriculum was listed on page 188 of the catalog under the School of Education.

Enrollment: 162 (by class enrollment, so some duplication)
Piano (93); Voice (52); Theory (8); Violin (9)

Professor Glen's teaching load consisted of the following:
Anglo Saxon, Beowolf (3 students)
English Literature (10 students)
Public Speaking (50 students)
Junior Oratory (16 students)
Senior Oratory (6 students)
Sophomore Oratory (23 students)
In addition, he served as Dean of the School of Music and Director of the University Glee Club.

The staff now numbered five instructors:
- Irving M. Glen, 1902-1911 (Dean, Glee Club, Mandolin Club).
- Arthur L. Frazer, 1901-1904 & 1905-1906 (Piano).
- Rose Midgley Hollenbeck, 1903-1904 (Piano).
- Eva I. Stinson, 1903-1907 & 1909-1913 (Voice, Treble Clef).
- Susie Fennel Pipes, 1903-1905 & 1909-1911 (Violin).

Enrollment: 116 (by class enrollment, so some duplication)

Other organizations sponsored by the Department of Music and open to the community consisted of The Ladies Musical Club and the Eugene Oratorio Society.

On February 2, 1900, Frank Strong, President of the University of Oregon, gave his annual Report of the President to the Board of Regents. Among his statements appeared the following:
"I have the honor to offer the following report. In the reorganization of the University, I have laid a broad foundation for future growth and progress. This has been done so that, no matter whether the growth of the University be fast or slow, no matter what course or department may have to be added or subtracted, the general plan of organization of the institution may not have to be altered for many years. On this account, I have proceeded slowly, taking advice from those qualified to give it. I am well satisfied, however, that the University ought to be reorganized on the following basis:

• First: The preparatory school be made separate and distinct from the University.
• Second: Graduate School
• Third: College of Literature, Science, and the Arts
• Fourth: The Industrial College (Engineering and Pre-Medicine)
• Fifth: School of Medicine
• Sixth: School of Law
• Seventh: School of Music (from Board of Regents Minutes of Feb. 6, 1900)

Because no formal motion was made to approve or disprove President Strong's recommendation during this year or any of the following years, it has been assumed that these changes were considered to be put into effect by administrative edict beginning with the Fall 1900 semester. However, it is interesting to note that some of the University publications continued to refer to the new School of Music as the Department of Music for several years thereafter.

To add to the confusion, the following excerpt from the History of the University printed in each of the Catalogs from 1923 through 1977 is as follows: "The School of Music was organized in 1902, although a department of music has been instituted before that time." After 1977 no further mention of the history of the School of Music was made in the catalogs until recently. With no explanation, the historic date reappeared in the annual catalog as being 1900.

Facilities were located in the south entrance of the university dormitory. The piano room had two pianos, and the singing room in the north entrance of the dormitory had one piano. The music library was in the Director's office, and included most of the standard works for piano, and the operas of Wagner and Puccini, Groves Dictionary, and the latest books on music by such authors as Henderson and Krehbiel.