Finish Carving
With the rough shaping completed,
the canoe carvers turned their attention towards the finish carving.
The alignment of the shear and the keel were both addressed. The
boat was upright during the day. Most of the work was done furthering
the carving of the inside. This was done primarily by the use
of gouge adzes, usually worked with both hands. The swing was
at an angle off centerline thereby allowing access to the concave
surfaces beyond the shear line.
Some carvers used axes of the smaller type. The method was the same as I had observed when the rough carving in the forest was underway. The swing was started in the usual way but just at the second before contact, the handle of the axe was twisted. This process allowed the cutting edge of the axe to bite in but then with the twist the axe head would bounce off the hull. In doing so, a glancing cut could be done while controlling the depth. The cuts were always done across the flat grain.
Once
the interior was getting close to the desired rough shape, the
shear lines were once again marked. They had planed the top surface
of the shear and it was fairly smooth. The chalk line was pulled
out of the toolbox and the marking of the hull thickness along
the shear was completed. Again, an unusual method was used with
the chalk line. The endpoints were established representing both
the inside and outside of the port and starboard hull. Then using
the chalk line at each of these points a curved line was achieved
by pulling the string off on almost a forty-five degree angle
from the center point of the two endpoints. The chalked line was
released in this sideways manner and the outcome was a fair curved
line of the shear. The person snapping the line had a point on
the respective shears he used as targets. I observed this method
of obtaining a fair curve done in the forest during the rough
carving and during this last time where a more precise curve was
desired. The accuracy of this last operation was very good. The
two marks they were aiming for were hit and what was left were
two sets of parallel curved lines that represented the inside
and outside of the hull at the shear.
Once
these lines were established they were roughed using an axe and
then brought in finely through hand-planing. The planes they use
are mostly of the Japanese type. The Kapinga use them in the traditional
eastern manner, cutting on the pull stroke as opposed to the western
plane where one cuts during the push stroke. I have seen some
western style of planes used. Kosen has a low angle adjustable
throat block plane that he used for general clean-up of the outrigger
poles. Also in the toolbox I noticed a hollowing plane of the
earlier western style. It was made by the Kapingamarangis from
what I believe to be mangrove wood. No one has used this yet so
I'm not sure whether they pull or push it.
Once the shear lines were brought into fair, the hollowing of the interior was continued. During this process the craftsmen were continually checking thickness of the hull by reaching under the hull while also feeling inside the hull. At this point the hull thickness was about 1.5 inches. The day was concluded with plans for the marrow to fit the washboards, or momos.
The washboards are long u-shaped timbers that were made from wood salvaged from the first tree. The log was cut in half and rough shaped to fit the form of the main hull. The builders, satisfied with the shape of the lower half of the canoe, began to rough fit the momos to the dugout hull.
In order to fit the momos, refinement of the dugout exterior was first necessary. This was done with adzes and axes as described earlier. Further refinement was achieved through the use of hand planes. It should be noted that some of the craftsmen were so skilled with the use of the adze that the planing was almost unnecessary. Aisea handled all tools as a master and was responsible for most of the carving direction.
Jimmy and Boaz took off with Retty to find and fall a tree suitable for the outrigger. While they were gone Kosen, Aisea and Bondaig worked to prepare the forward momo. Eventually it was lifted into place for a rough fit. The form of the canoe began to emerge. A bow of the type for rough seas was observed. (This type of boat was much different than the Nukuoro style adopted by the Kapingamarangi in 1920). The rest of the day was spent rough fitting the momos. The others returned with the material to be used for the outrigger. Once the timbers were unloaded a days work was called.
The
preparation of the various canoe parts continued. The float was
first carved using axes and then hand planes. The booms used to
tie the main hull to the float were smoothed and cut to rough
length. The line used to lash the parts together was also made.
Some of it is here on Pohnpei and more will arrive on the next
ship from the atoll.
The fieldtrip ship was to make a run to the southern islands to pick up the high school students coming to Pohnpei. The stops were to be short. At first I considered the trip south of little use. However, with the numerous questions I had come across during the canoe carving, I decided that a visit to the Kapingamarangi atoll would be helpful. I made the arrangements and asked if there was anything on the atoll that was needed to finish the canoe. Kosen asked if I could bring back about twenty freshly harvested mature coconuts. The husks of these were to be used as a gasket type material. The voyage was to take from six to ten days. Linson Head, who had been employed as a translator, accompanied me on this trip.