HC 101H, Honors College World Literature: NARRATIVE IDENTITIES
Bishop, Fall '99 | 314 Chapman | (541) 346-0733 |
lmbishop@oregon.uoregon.edu
Office hours:
Tuesday, 2:00 pm to 4:00 pm |
Wednesday, 10:00 am to noon, 1:30 pm to 3:30 pm |
The human imagination--what we trace through literature--struggles to make sense of our existence. Ancient and early medieval western literature--poetry, drama, history, memoir--demonstrates different cultures' attempts to decipher the meaning of life for the individual and for her society. Our aim in this class is to learn to read the literary imagination of the past with sensitivity to history (the past), society (class), individuation (the self), and to evaluate the centrality of narrative to culture.
HC 101H includes writing analysis (composition) with the study of literature. To that end, please be advised of the university's Web-based composition resources. Note the instantaneous availability of the "Handbook for Writers" which links to "Basic Prose Style and Mechanics."
The following texts have been ordered at the University Bookstore: Gilgamesh (Stanford UP),Iliad (trans. Fagles, Penguin), Aristotle's Poetics (Penguin), Women of Troy (in 10 Plays of Euripides, Penguin, 1998), Consolation of Philosophy (Penguin), Aeneid (Random House), A Readable Beowulf (S. Illinois Press), The Lais of Marie de France (Penguin), Letters of Abelard and Heloise (Penguin)
You may be able to find these particular editions at Smith Family Books. We'll also read the Biblical Book of Job, chapters 1-2 and 38-42, for which you may use any Bible you can find.
Class listserv: We have an electronic discussion list shared with Dukehart's HC 107 history class, <histlit@lists.uoregon.edu>, to which you can subscribe yourself IF you haven't already received a "welcome message." To subscribe, send a message to majordomo@lists.uoregon.edu with the following message:
subscribe histlit
end
and don't forget the "end". Any message sent to HISTLIT goes to every subscriber. Please note--if you hit "r" to "reply" to a message on HISTLIT, your answer will be sent to each subscriber. If you have an issue you wish to discuss privately, please use the individual's e-mail address. Other issues of "netiquette":
Want to read a couple of my postings to HISTLIT, 1998-99? Here.
I will read these papers, comment on them, and grade them pass/no pass. Normally, a no-pass paper lacks a thesis and/or contains egregious writing errors. Five passing papers will count as a 4.0, four as a 3.0, three as a 2.0, two papers as a 1.0, and one paper counts as zero, as do no papers. No-pass papers may be re-written, but MUST be handed back to me within a week. You may also request that I give any response paper a "grade," meaning the grade it would get were it a graded assignment. I would "grade" the paper in order to give you an idea of how grading works on formal papers, but the grade wouldn't "count," per se.
Informal study groups. The learning community of the Honors College affords you an opportunity to test your ideas and grow intellectually in a supportive yet challenging atmosphere. One way to improve your thinking and your writing is to discuss our class readings with your peers. We'll discuss the texts plenty in class, with conversation often continuing on HISTLIT. To facilitate conversation even further, I will be providing question sheets on eight consecutive Thursdays for the following Tuesday's class. Between Thursday and Tuesday you may discuss the question with at least one other person, and preferably more, at one time (you arrange the time). Everyone who has discussed the question at one time (in one sitting) may, with the rest of the group's consent, sign the paper, but you may get credit only once for each week (of course you'll benefit from chatting about the text any number of times, and any question is fair game for HISTLIT, too). Finally, you must include on the sheet at least one further question inspired by your conversation. To get credit, you must turn in each sheet at the beginning of the appropriate Tuesday class. If you complete a sheet for each of the eight weeks, you'll receive 5 points extra-credit on your final grade; for seven, 4 points; for six, 3 points; for five, 2 points.
The response papers constitute 20% of your grade; each formal paper, 25%; reflective essay, 10%; and the final exam will constitute 20% of your grade. Please note the University's "grade point value" system effective 9/90, as I will be using this system (unless otherwise noted):
A+ = 4.3 |
B+ = 3.3 |
C+ = 2.3 |
D+ = 1.3 |
A = 4.0 |
B = 3.0 |
C = 2.0 |
D = 1.0 |
A- = 3.7 |
B- = 2.7 |
C- = 1.7 |
D- = 0.7 |
Sept.28 class introduction--historicizing "literature" and respecting difference; introduction to Gilgamesh--the purpose of story |
Sept. 30 Gilgamesh |
Oct. 5 Gilgamesh |
Oct. 7 Book of Job Chapters 1-2, 38-42: The meaning of suffering *Gilgamesh (#1) response paper due |
Oct.12 Iliad required passages Anger, violence, war (esp. Books 1 and 5) |
Oct.14 Iliad
required passages |
Oct.19 Iliad
required passages |
Oct.21 Iliad
required passages Fathers,
sons, death, and pity (esp. Book 24) |
Oct.26 Poetics |
Oct. 28 Women of Troy |
Nov. 2 Aeneid |
Nov. 4 Aeneid |
Nov.9 Consolation of Philosophy Fortune and fate |
Nov.11 Consolation of Philosophy Free will
vs. determinism |
Nov.16 Beowulf |
Nov.18 Beowulf |
Nov.23 Lais of Marie de France The birth of romance |
|
Nov. 30 Letters of Abelard and Heloise
12th-century intellectuals |
Dec. 2 Letters of Abelard and
Heloise |
Gilgamesh: Explore the character of Enkidu. Why do the animals reject Enkidu after he has "intercourse with the harlot" (p. 9)? What does their rejection mean? Why does "understanding" (ibid.) result from Enkidu's episode with the harlot?
Book of Job: Consider God's answers to Job: why are they in the form of questions? What effect does the question mode have on the reader? What relationship with the divine does Job posit? What does Job posit as the goal of a religious life?
Iliad: Why does Homer begin Book 12 with a "flashforward" past the end of the Trojan War? Why is the action continuous between Books 17 and 18? (Back to Reading Schedule)
Women of Troy: Why does the play begin with Poseidon and Athena? How does Euripides use Helen, and what is the effect of her appearance? Whom is Hecuba addressing in her speech at the beginning of the Fifth Episode (p. 494)? Is Hecuba right when she says, in the Third Episode, "Of all those seeming to succeed / count no one happy til he is dead" (p. 479)? Why are these lines not the final lines of the play?
Aeneid Examine Vergil's portrait of Dido, paying careful attention to details. Why does Vergil shape his text's lesson about responsibility and need around the story of a woman and love? What meaning are we to derive from Vergil's choices here?
Consolation of Philosophy What is the purpose of closing Book III with the story of Orpheus? What associations is Boethius counting on? (Back to Reading schedule)
Beowulf Why is the history behind Beowulf's rulership elided by the poet? What does the elision mean to the poem in general? Or. . . What is the significance of Beowulf's death in literary terms?
Lais of Marie de France Evaluate Equitan's speech concerning love (he answers the lady's protestations: p. 58). Is he right? How does this speech fit with his character? How does it fit with his actions? Of what does "consistent" character consist in the medieval lai?
Letters of Abelard and Heloise Reading over Heloise's first letter (esp. pp 116-7), delineate her definition of love. How does earthly love compare with heavenly love? Compare Heloise's sentiments on p.129 (Letter 3) to Boethius's theory of fortune. (Back to Reading schedule)
While it would be ideal for you to read the entire Iliad, you are responsible only for the passages indicated below. Total reading: about 230 pages.
Page numbers |
Book # |
Line numbers |
Description of what's happening |
77-98 |
1 |
whole thing |
Achilles' rage |
99-115, 124-6 |
2 |
1-572, 866-934 |
Greeks, Trojans |
128-44 |
3 |
whole thing |
Helen |
157 |
4 |
405-414 |
Odysseus |
164-94 |
5 |
whole thing |
Aeneas, Diomedes, gods |
203-13 |
6 |
288-631 |
Hector, his family |
254-75 |
9 |
103 to end |
Embassy to Achilles |
303-6 |
11 |
253-360 |
Agamemnon, Hector, and "birth pangs" |
325-6 |
12 |
1-42 |
post-Trojan war |
359-362 |
13 |
626-760 |
injury of Menelaus |
374-82 |
14 |
187-474 |
Hera tricks Zeus |
387-90, 393-4 |
15 |
1-96, 219-238 |
Gods talk, Zeus commands, Poseidon reacts |
437-441 |
16 |
874 to end |
death of Patroclus |
470-1, 483-7 |
18 |
91-150, 558 to end |
Achilles' despair, description of shield |
488-95 |
19 |
whole thing |
concern about decay, talking horses |
532-40 |
21 |
435-656 |
gods fight, warriors think |
544-7, 551-8 |
22 |
108-221, 341 to end |
warriors, gods think; death of Hector |
563-4 |
23 |
128-184 |
Patroclus's funeral |
588-614 |
24 |
whole thing |
Achilles and Priam |
|
|
|
|
The first thing to notice about this text is that it's an "allegory": its characters are both "real" and symbolic. Lady Philosophy's height, touching the very sky with the top of her head, and being lost to human sight indicates that philosophy as a concept goes beyond the human condition and beyond human reason to the realm of the divine.
You may also have noticed how this text, although growing out of a historical narrative (Boethius's imprisonment and subsequent execution on grounds of treason by the emperor, Theoderic), is philosophical in nature, taking for granted the reader's acquaintance with Platonic philosophy. The only Plato you need to know, however, is his theory of Ideas, or Forms, which exist in the mind of the One, or God; and that our material existence is only a shadow of Ideal existence in the Mind. This Platonic outline forms the basis of all Western, Christian philosophical and religious thought.
Notice too that the text is in both prose and poetry. While we may think of philosophy as relegated to the dry textbook, ancient writers thought no such thing. As Bettelheim says (The Uses of Enchantment, p. 35), "Plato--who may have understood better what forms the mind of man than do some of our contemporaries who want their children exposed only to 'real' people and everyday events--knew what intellectual experiences make for true humanity. He suggested that the future citizens of his ideal republic begin their literary education with the telling of myths, rather than with mere facts or so-called rational teachings. Even Aristotle, master of pure reason, said: 'The friend of wisdom is also a friend of myth.'" So one way to evaluate the Consolation is to look at its combination of myth, history, and art and to judge its effect on the reader. How convincing is the Consolation? Does it change your impression of "evil"? How should the individual deal with evil, according to Boethius? What are the questions Boethius doesn't ask?
BOOK ONE: Introduces narrative situation; introduces Lady Philosophy and her appearance; assumes the world ruled by divine reason
BOOK TWO: The deconstruction of Fortune, describing her nature (note the poem against avarice, Chapter 2) and the transience of worldly goods (Chapter 5); the myth of the golden age (poem at the end Chapter 5--cf. Book 3, Chapter 11); the benefits of adverse fortune and the primum mobile, love (Chapter 8)
BOOK THREE: The deconstruction of worldly goods: riches (Chapter 3), honor (Chapter 4), power (Chapter 5), fame (Chapter 6), bodily pleasure (Chapter 7); supreme good and supreme happiness identified with God (see Chapter 9's invocation to God, Platonic proof and the myth of Orpheus in Chapter 12)
BOOK FOUR: The deconstruction of evil: the evil are unhappy (Chapter 4); the difference between providence and fate (Chapter 6--how does this compare with Siddhartha's realization of being "out of time"?)
BOOK FIVE: (optional: read this book only if you've always been bothered by the question of free will coexisting with a belief in Fate): "the operation of human reason cannot approach the immediacy of divine foreknowledge" (Chapter 4)
From Alan Gaylord, Dartmouth, on Chaucernet, message ID# 01JEPLE23NCK8ZE7LR@OREGON.UOREGON.EDU, August 13, 1999
"To wit (as most know, to be sure): Boethius, though a Christian, undertook the philosophical exercise of making his Consolatio a summary of classical philosophy, without naming Christ or Christian doctrine or citing the Bible (he of course also wrote explicitly Christian theological treatises). So no Cupid, no cupidity or charity (I believe Augustine brought the term, *caritas*, into prominent use). . . .Likewise, "the Wheel of Fortune" does not comprise Boethius's philosophical definition of tragedy; rather, it is a metaphor for the experience of life one attributes to "Fortune" when one lacks sufficient philosophy to understand God's providence. The structure of the Consolatio is to begin with soft or sweet medicines, common language, and the *doxa* of false philosophy and to deconstruct these during the first three books of the work. But Books 4 & 5 are severely dialectic; Fortune is vaporized as a concept and a non-reality; and Boethius is led to see that by putting their loves on false goods, humans derive a false picture of causality and a false teleology. Boethius does not quite put it that way, but the only "real" tragedy from a philosophical standpoint would be to contumaciously resist the instructions of Philosophy . . . ."
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Last updated 20 October 1999