Basho and his Narrow Road to the Deep North

Station 30 Notes

moon
He says he feels as though he had actually climbed into the sky where the sun and moon follow their paths.

sky
Basho is at one with the cosmos here; he has the sun going down on one side and the moon coming up on the other. He goes beyond Buddhism here to some pre-Buddhist mountain worship. Here his night in the clouds recalls the mountain pass and Matsushima; it is the same sort of experience but with a different quality than the others. They are all different. They are all uncomfortable, sleepless nights, but one deals with beauty, one with discomfort, and one with religious solemnity.

swordsmith
This apparently refers to a swordsmith who had a forge here around 1200 and who took the name of the mountain. Later, over the years, a number of swordsmiths have used that name and worked here. The swordmakers not only tmeper their swords in the water, they purify themselves in this sacred water before making their swords.

Ryosen
Ryosen Spring is mentioned in the Shih Chi as a place where the finest swords are tempered."

Kansho
Kansho and Bakuya were a Chinese husband and wife who made two famous swords which took their names. Here Basho is inviting us to remember something far separated from him in both time and space. The message is that true art will endure. If you bring your deepest devotion to it, your art will be known and will endure.

Gyoson
Gyoson was a poet of the late Heian period. He wrote the poem found in Kinyoshu #556:
Omine nite omohi mo kakezu sakura no hana no sakitarikeru wo miteyomeru:
Morotomo ni/ aware to Omohe/ Yamasakura/ hana yori hoka ni/ shiru hito mo nashi.
(Completely pathetic, I feel, the mountain cherry, unknown to people except for its blossoms).

Mt. Haguro
This poem has been interpreted in two ways - one to emphasize the darkness of Mount Haguro and the faint light of the moon. The other emphasizes the pale light of the moon which highlights the chilliness of the scene.

Mt. Gassan
In English it is hard to see how this poem works. Instead of "columns of clouds" it is "Kumo no mine" which contrasts the "Tsuki no yama". So we have day and night, cloud and moon, peak and mountain, based on the idea of Mount Gassan as Tsuki no yama. Which of these combinations is real? Is it a dream or is it reality?

reticent tears
Basho may be weeping tears of gratitude for having the opportunity to drench himself in the secrets of secrets of sacred Mount Yudono.

Mt. Yudono
At Yudono pilgrims leave all their money, emblematic of their willingness to give up worldly things for the sake of religion. Thus many coins are offered and they are scattered on the way leading to the shrine. Sora weeps tears of emotion at this sight.